Love in the Afternoon

25: Audrey slips past a husband wanting to shoot Gary for his romancing his wife. Audrey slips into another hotel room, climbs onto the balcony, sidesteps over to Gary's room and warns him about the husband. Gary likes the look of Audrey and the romance starts. The birth of something new.

45: Maurice and Audrey talk about Audrey's beau and his family history; the father has investigated him. When Maurice leaves, Audrey sits to write Gary a letter, she writes she doesn't want to see him and that she's not his type. Now that I'm aware.

60: Gary wants to know Audrey's name and she won't tell him. Gary tips the hotel staff and tries to guess Audrey's name. Audrey says she wants no scenes or tears, "this way it was just perfect." He wants to buy her jewelry but all she wants is his carnation. They say good-bye. There's no going back now.

-45: Audrey and Maurice. Maurice wants to know why Audrey has a white fur coat. Maurice talks about how anklets drive men crazy. He says they are provocative. Audrey stares at something that could pass for an anklet. In the park with Gary she wears an anklet and he brings a carnation. When he discovers she's wearing an anklet he rips it off her ankle. Discovery.

-25: Gary is angry and troubled, he leaves his hotel followed by the band. In a sauna the band plays as the husband (the husband who wanted to kill him earlier at 25) tells Gary he's happily going through a second honeymoon with his wife. The husband tells Gary doesn't want to hear it, but the husband tell Gary he's in love with Audrey and to end the uncertainty he suggests he contact Maurice, a detective. Eventually, Audrey and Gary get together. The final turning point.